Thursday, November 21, 2019

On the fear of loss

If I think about my favourite Bollywood movies from the last several years, there are two that stand out - Piku and Kapoor & Sons.

I've only watched Kapoor & Sons once, in the theatre, with friends. And I'm fairly certain I sobbed through a good chunk of the second half. I've never gone back to watch it a second time, for some reason, despite loving it so much. I've watched clips a few times, and it's on my watchlist on Amazon, but I've never gone back to it.

Piku, on the other hand, I watch at least twice a year, if not more. Once, when I need something playing on Netflix as I potter around the apartment, at least once when my parents come to visit and we can't agree on anything else to watch together, and potentially again, a day or two later so my mother can see the second half because she fell asleep halfway through the previous time.

There's a scene in Kapoor and Sons where one of the protagonists sulkily tells his brother that their parents have always loved him more, seen him as perfect, while he himself can do ever do anything right in their eyes. His brother tells him not to be silly, all parents love their children equally. This line is followed by a beat of silence where the two look at each other, and both burst out laughing, because you know that's just not true.

There's a scene in Piku where a get together of family and friends is taking place, to honour a woman who dies before the movie begins. The protagonist places a bottle of ghee on the table, Jharna ghee to be precise. The first time I saw this movie, the week after it released, in a theatre full of Bengalis who had all flocked to take advantage of the 50% discount offered by that theatre for Indian movies on Wednesdays, the lady in front of me and I simultaneously exclaimed out loud during this scene, "Jharna ghee!"

There's another scene in Kapoor & Sons that is described far more eloquently by Raja Sen in his review of the movie - the family drama that goes on while in the backdrop a plumber works diligently to try and fix the pipes. [UPDATE: Shakun Batra, the director of the movie, did this delightful video that was shared with me after I published this post, on how this scene was constructed.]



Years ago, when my parents were building their first home, they would... disagree on how certain things should look. It took them a while to realize that when the contractor would excuse himself for a cigarette break every few minutes he would time it just when he could sense a storm brewing, and would step out so my parents could come to a decision before he returned.

The protagonist of Piku spends half the movie yelling at her father, out of sheer concern and exasperation at his behaviour. But minutes after squabbling with him, she laughs and starts singing a Bengali song with him.

A while ago, when my parents were visiting, we were driving home one evening, and my mother was munching on the snacks I keep in the car for my evening commute. I found myself turning to her at one point, and saying exasperatedly, "Will you stop eating so much? You won't be able to eat dinner if you snack so much now."

After watching Piku, as we walked out of the theatre, I was commenting that almost every character in the movie reminded me of someone I know. There are pieces of people I know and love in almost every character in the movie. A friend, who at the time was months away from his wedding, to a Bengali girl, sheepishly admitted his future father-in-law was quite similar to the father in the movie.

Both Kapoor & Sons and Piku struck chords with me, more than any other movies in recent years that I can think of. There are daily lives and tiny anecdotes that shine through these movies and remind me of episodes from my family in the past. There are moments that make you smile, then sniffle, and then potentially start sobbing your heart out, but only because you know someone who's gone through something similar.

And both movies showcase the fear, and the reality, of losing a parent.

This is one of those posts that has been sitting in my Drafts for a few years now. Every few months, I pull it open, reread it, tweak it a bit, save it, and then close it again.

When I first started writing this, a couple of articles had gone viral on my timeline. Rohit Brijnath had written a heart wrenching piece on parents' mortality, and the constant fear those of us who live a world away from our parents learn to live with. And then Jai Arjun Singh had responded with a piece that reminded me it's not that much easier to watch it happen in front of you, either.

A few weeks ago, someone shared a website called See Your Folks, that asks you to enter your parents' ages, and how often you see them a year. It then throws up a stark number on just how many times you have left in this lifetime to see them. I may or may not reacted somewhat... emotionally to this site, and ended up doing a bit of a twitter rant about it.



The last tweet in that rant was posted almost four hours later, after a two hour marathon call with the parents. They weren't told about this site, but given at least one of them stalks me on Twitter and follows this blog, it's possible she knew, or will know when she wakes up in a few hours.

(Chill, Ma, I'm not stressing. I'm just rambling. And trying to distract myself from these impeachment hearings I've been watching for the past week (and mayyyybe from some of the daughterly stress I've felt after the last couple of This is Us episodes).)

But to end this post on a sufficiently emotional note, here are two songs I had on loop after I spiraled about that stoopid site, for your listening pleasure.





No comments: